Review and analysis: Modern Family

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Modern Family is a comedy programme about a family consisting of very different people who all love each other very much. It shows different problems that can occur in large families and how they can be solved. It’s filming style is very unique because at times the actors act like the camera isn’t there but occasionally look into the camera and have short scenes of interviews with the cameraman. I like this type of filming, it reminds me of shows like the office:

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I would make a similar programme by setting up a family, maybe a bit smaller and having the element of the fourth wall being broken to add humour like these shows do. The camera angles aren’t set but things like the lighting and sets are as the scenes have to look as natural as possible, as if they are being filmed in real life and the actors aren’t acting but just living normal life.

 

Media Comparison: The Grinch and The Dark Knight

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Both of these movies were made before 2010 (2000 and 2008) so the technology used is obviously not up to the same standards as some movies produced in more recent times. For example, as a product of DC Universe, The Dark Knight had less CGI and less refined technology used to create it than 2017’s Wonder Woman. These two movies are my twinned favourite movies – which is why I chose to compare them, yet they are so different in so many ways, with some similarities.

The Grinch is a Christmas movie, a jovial story based on a Dr. Seuss book, and The Dark Knight is a story about a chaos creating maniac (The Joker) almost blowing up half of Gotham’s population and includes the murders of judicial officials in order to reveal the identity of Batman – the two stories do differ quite a bit. I first watched The Grinch when I was 6 years old, I then watched The Dark Knight a year later. The target audience for The Grinch was young children – it being a Christmas movie with targeted moral messages for children. The Dark Knight, however, has a very different target audience, with its overtones of violence and undertones of mental health disorders from the Joker, the movie is more aimed at adults and older teenagers (aged fifteen and above). Then again, why did I watch it at such a young age and still enjoy and understand it? Even though it wasn’t filmed with a target audience of children like other DC movies – Teen Titans for example – are, I enjoyed it and still do to this day. It’s because, much like The Grinch, the movies were not created with the sole purpose of fitting a specific target audience as this often puts a cap on creativity. Instead the movies were created to get a story across and to look good, which they both do very successfully. I enjoyed The Dark Knight as a child and my mother gets just as excited about watching The Grinch as I did as a 6-year-old (and still do), because the storylines, moral messages and final productions of both movies are so ‘one size fits all’ and include a variety of different things – some of which only children find good and some of which only adults find good.

The main visual technique used in both movies is costume and makeup design. Jim Carrey (who played the Grinch) had to have an FBI trained specialist to teach him real life torture survival techniques in order to film for so long each day in his Grinch suit! Every extra was dressed to the highest extremity of Christmas outfits and makeup. Production spent hundreds of thousands of dollars on all this as well as prosthetics used for the Who’s (the people of Whoville) noses, which had to be upturned and similar to that of a chipmunks. The Dark Knight also updated Batman’s suit from Batman Begins (the first part of the trilogy) and much thought went into the Joker’s suit, even including on one whole side of his jacket and series of grenades all linked with one string, which he threatens some of Gotham’s mobsters with during a meeting. CGI as well as very detailed use of prosthetics and makeup had to be used for Harvey Dent’s half-burned face towards the end of the movie. My favourite makeup use in The Dark Knight though, is the fact that Heath Ledger (playing the Joker) went to the nearest drugstore and picked up his own makeup and did it himself. The production team also chose to have face-paint on his fingers throughout the movie so it looked like the Joker did his own makeup. So both movies put a lot of money, thought, effort, time and planning into the costume and makeup design for all the characters in them – one of the few similarities.

The Grinch used very basic filming techniques and basic cameras such as the Panavision Panaflex Lightweight Camera and the Panavision Panaflex Platinum Camera since it was made it 2000, although a lot of CGI was used to create the locations and the mountain. The Dark Knight had a lot more funding and made many filming breakthroughs, in a first for a non-documentary film, IMAX cameras were used to capture four major scenes in the film. Not only were the cameras heavy and bulky, they were very loud due to the built-in fans to stop from overheating, which often led to the frustration of actors like Ledger, Bale and Caine as they struggled to be heard. Nolan and his team had a difficult time working with the new $250,000 technology, and even ended up breaking one of the only 4 cameras in existence! Also unlike The Grinch, CGI was used less because director Christopher Nolan prefers on-set special effects and stunts to be used in his movies.

Media review week 2: Hilda

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‘Hilda’ is a Netflix TV show.

I think its audience is very varied, as it’s a cartoon it can be for children but as a teenager  I also enjoyed it.

I think people aged between 7 and 25 would enjoy this show. People interested in animations and who use Netflix, also people who read the graphic novels that the TV show is based on.

Luke Pearson is the creator of the graphic novels and TV show ‘Hilda’. He’s a British cartoonist and Hilda is one of his most popular productions. He was also involved in the storyboarding process for Cartoon Network’s ‘Adventure Time’ – a very popular animation. It was developed to be on Netflix by Luke Pearson, Stephanie Simpson and Kurt Mueller and directed by Andy Coyle, who is a well-known animation director.
The animation is very traditional with overlapping colours and blending saturation. There’s a lot of cinematic scenes of nature and the animation overall runs smoothly.
Most of Hilda’s audio is dialogue but there’s often background noise of wildlife and city life. As there’s also mythical creatures like trolls in ‘Hilda’, sound effects such as growling and roaring have been created and used.

I like the animation style and the storyline of ‘Hilda’. I didn’t like that it was so short (only one season), I feel like it needs more episodes and a few more main characters. If I was making ‘Hilda’ I would make the animation colouring clear-cut (not overlap) and make the episodes either longer or make more of them.

 

Media review week 1: Babylon by Jauz

Babylon is a song by Jauz. I think it’s aimed at mainly teens and young adults but also for people into bass centred songs or songs similar to Dubstep. I don’t think it’s aimed at a specific gender, perhaps people part of working class or middle class as it’s not the sort of music for posh people. Other things the audience may be interested in are Dubstep, Skrillex, JOYRYDE and EDM music. This music is good for driving music so people into fast cars and fast driving – fast living to put it simply.

The creator of this song is Jauz, a.k.a Sam Vogel. He’s a 25-year-old, American EDM artist and CEO of his record label and touring company ‘Bite This’. Vogel uses Ableton as his digital audio workstation. He writes and produces all of his own music.

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The bass is extremely heavy in his songs and has a constant beat throughout. The tempo also changes and matched up with any lyrics used. The tone of the singing has been edited heavily, it’s also been distorted to match the bass tones.

I like the use of bass, the fact that it’s catchy and makes me feel good. I also really like Jauz as a creator, so I like all his work. I don’t like the build-up between 27 seconds and 37. It extends the song too much and holds off the main ‘drop’ for too long.I would make the into shorter and replay the chorus one more time during the outro.

 

Media review template

Review at least one media product that you have listened to, watched or played every week.

What kind of media is it?

Describe the audience you think it’s aimed at?

Age, gender, interests, class/income, subcultures, what else are they likely to be interested in?

Tell us about the people who made it:
eg: Band, Director, Producer, Writer, Actor, Developers etc..

Describe the product (or part of it) – USE TECHNICAL LANGUAGE
Visuals
Sounds
Writing

What did you like about it?

What didn’t you like about it?

What would you do differently if YOU were making it

Anything else?